This is a portrait of a gull in a classical nature documentary about birds in the city. But it is also a philosophical contemplation of immigration issues that touches us all on many levels.

O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.

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A young boy in Cuba finds himself in mortal peril as his fishing village gets infiltrated by malign forces.

Adam (Martin Wallström) and his old school friends Per(Anders Lindahl) & Sara (Lisa Linnertorp) pass the time in Pers bar, in Stockholm, dissecting the painful memories of their high school years.

An ancient legend of a Viking treasure trove is the starting point for the first season of the suspense series TRIO. Despite the fact that countless treasure hunters have disappeared whilst attempting to track down the so-called Odin's Gold, the three friends Nora, Lars and Simen set out on a thrilling adventure around the mountain village of Skjåk. Their perseverance, ingenuity and physical prowess make up for their youth, and in addition they have a tool their predecessors didn't have, namely state-of-the-art computer technology. Lars, who is wheelchair-bound following an accident, has acquired an extensive knowledge of computers and hacking, and this puts the trio at an advantage in the treasure hunt.

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In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.